Monday, January 14, 2019
It's not an exaggeration to say that I mark my calendar whenever I see that my dear friend Elea Lutz is releasing a new fabric collection. I've been collecting her prints for years now, and they're some of my favorites in my entire stash.
Her latest release is called Bluebirds on Roses, and it's absolutely beautiful.
See what I mean? It makes me SO happy just looking at it!
I've been going through a hexagon phase lately, so I decided to make EPP hexagon flowers which I appliqued to small round placemats that my girls can use underneath their breakfast cereal bowls in the morning. Won't these beautiful prints be a lovely way to start the day?!
I love to do hand sewing in the evenings while my husband and I relax in front of the television after a long day, and these hexagons were such fun to work on as we laughed together over a favorite show.
The colors are just perfect, and I especially love the tiny details that Elea has sprinkled throughout each print: bluebirds, kitty cats, strawberries, cherries, and of course, flowers galore. Her designs are such a beautiful cross between traditional and modern, and they always make me smile.
Bluebirds on Roses is appearing in stores everywhere now, but I have a feeling that it won't be around for long. I've already bought a little extra to have on hand...you know, just in case...
Friday, January 11, 2019
|All images in this post used with permission from Quilts & More™ magazine. ©2019 Meredith Corporation. All rights reserved.|
The latest issue of Quilts & More magazine is in stores today, and I'm thrilled to have a pattern inside its pages! Of all the patterns I've written over the years, this Stash & Carry patchwork basket is definitely on the list of my top ten favorites.
This sweet fabric caddy is perfect for using your favorite tiny scraps, making it a burst of scrappy, happy color on your sewing shelf! Leather handles (which can easily be substituted with fabric or webbing ones) and an inside pocket for tools or notions are handy additions. The dimensions make it the perfect size for stashing charm packs or folded fat quarters.
I am so honored be a part of this amazing magazine in some small way. Be sure to pick up a copy at your local store. If you make one please share a photo on social media! Use the hashtag #stashandcarrybasket and be sure to tag me @fabricmutt so I can see what you're making. I'd love to see a picture of how you're using your basket too. This caddy can hold anything -- yarn skeins and crochet hooks, building blocks and legos, office or scrapbooking supplies, even bags of after school snacks or special goodies for your guest room. Use your imagination and share your ideas with all of us! I can't wait to see what you make...
Thursday, January 10, 2019
|All photos in this post by Page + Pixel for Lucky Spool Media|
It was all the way back in 2014, before my first book Sew Organized for the Busy Girl even hit the shelves, that I started writing a second book. I had all kinds of ideas for what I wanted it to be: colorful, vintage inspired, full of approachable projects that would make thoughtful gifts and keepsakes. More than anything, though, it was going to be a love letter to my favorite kind of sewing -- simple, happy patchwork.
It's taken me a long time to bring this book into being, but I couldn't be more thrilled with the results. Patchwork USA is everything I wanted it to be and more.
When I first began working on the table of contents, I looked for a theme to pull everything together. Because I so often think of my adventures in sewing as a creative journey, I thought it would be fun to arrange my ideas around the metaphor of a road trip. Not only would this allow me to use beautiful retro photo props (Hello, vintage postcards!), but it would also give me a fun new way to frame the sewing process. So instead of talking about small, medium, and large projects, we have a chapter each on Daytrips, Weekend Getaways, and Summer Vacations. You can get a refresher on basic sewing techniques at the Visitor's Center, learn why I chose the fabrics and colors I did for every project by studying the Scenic Route, and get the story behind each pattern by reading the Historical Marker.
For me, this is a very personal book. So many of these projects came out of lovely memories from the past when I was a child, a single teacher, a new bride, and a young mother. It's also a book that was written very much with you, my readers, in mind. I wanted this to be a resource for each of you -- no matter what level of sewing ability you might have -- that would be useful, inspiring, and a pleasure to read. For those of you who have been so patiently requesting patterns for projects that you've seen on my blog, here you will finally find directions for the Big Bear Cabin Quilt and the Floss Mini Quilt. You'll also find the six projects which were first released as a special Fast Fabric Gifts booklet by Love Patchwork & Quilting magazine along with Issue 41, which many people have been asking me for since then. I'm so happy to have these projects together in one book as I always hoped they would be, with a grand total of twenty-four patterns in all!
|Big Bear Cabin Quilt|
So many people ask me how I put together fabric combinations in my patchwork projects, so I've included an introductory section with tips, guidelines, and checklists for choosing prints and helping them play together nicely to get the look you want, with additional advice for specific design questions. I also hope that this will become a go-to book for handmade giving, whether you're sewing by yourself or with a group of friends at a retreat or sew-in. There's a section in the book full of ideas for creative gifting, personalizing projects, and sewing activities for a crowd that will hopefully spark ideas for fun events and meaningful sharing.
You can get a sneak peek at the book on the Lucky Spool website here and preorder the book on Amazon here. The publication date is set for the end of April, and I'm counting the days until then!
|Road Trip Pillow|
I can't say enough about the guidance of my friend Susanne, head of Lucky Spool, who has believed in this project from the beginning and encouraged me every step of the way. And I'm in awe of Kristy and Nissa, the amazing women behind Page + Pixel, whose graphic design artistry and stunning photography have given Patchwork USA the vintage look of my dreams, all wrapped up inside a beautiful hard cover. When the first round of sample pages came across my computer screen last month, I was on the phone with my husband. As I started scrolling through the incredible photographs and retro design, framing the projects that have been part of my own creative journey for nearly five years, I couldn't stop the tears from coming. "This," I cried to my husband, "is the book I've always wanted to write."
Dear friends, it gives me so much joy to finally share Patchwork USA with you. And as it goes out into the world this spring, I hope that you'll be inspired to take a creative journey of your own and, most importantly, to share it with the people you love most. This book has been the adventure of a lifetime for me, and I'm so grateful to have friends like you along for the ride.
Wednesday, January 9, 2019
My friend Amy Smart has released another adorable collection. This one is called Gretel, and it was just the breath of spring air I needed after Christmas.
Rather than making a quilt or pillow with these prints, I decided to make a string of bunting to decorate the vintage Hoosier cabinet we keep in our family room. For those of you who aren't familiar with them, these cabinets are baking workstations that were popular in the early 1900's. This one belonged to my great grandfather, and I can still remember him mixing up a recipe at the counter, cranking the wheel to get flour from the bin and sprinkling it onto his dough. It all looked like magic to me when I was a little girl!
Amy has a wonderful post on her blog giving the background to the collection, the German influences in her artwork, and the adorable Fraulein quilt she designed to go with it. Being part German myself, I thought this was all so much fun to read about. She added pale pink and low volume designs to her usual favorite primary colors for this collection, and I love the way it makes the whole set of prints look so light and happy. Between the flowers and hearts, these designs make a lovely crossroads between Valentine's Day and Easter.
A quick note on the bears in the earlier photo -- my mother made them both by hand. The smaller one was a gift to my father and the larger one was for me. I still can't get over how beautifully she sewed these together, and I treasure them dearly!
Gretel is already in shops, so be on the lookout. I really do believe it's the perfect spring collection!
Monday, December 17, 2018
It all started when I saw a package of Shiny Brite vintage reproduction ornaments on sale at Macy's. I've been desperately wanting to get my hands on some of the originals, but they're way out of my wallet's league. So I decided to get these instead as a treat, thinking that they would look cute on a miniature tree in my sewing room. But by the time I got them home, I found out that the ornaments were too large for the small silver tinsel tree I had bought for them. The girls helped me hang the Shiny Brites on our big family tree instead, and I was left wondering what to do with my lonely little sewing room tree.
Why not, I suddenly thought, have a Merry Maker Tree to match my creative space? It was such a fun challenge to come up with tiny decorations that fit the sewing theme.
Small white ric rac trim and a string of Lori Holt's colorful buttons strung on white Aurifil floss made perfect garlands.
I used a mix of Christmas and everyday prints in shades of pink, red, and green to sew a wide, handles-free Pixie Cup for the base of the tree which I filled with snowy white batting to cover up the trunk.
And a wooden spool of red and white baker's twine held in place with a single pin made the perfect tree topper.
Putting this tree together was such a lovely way to spend a Sunday afternoon, and it makes me smile every time I see it on the cabinet next to my great grandfather's old typewriter. I may add more decorations in the next week, or maybe not. We'll see. Taking time to do something just for the fun of it was good for my soul. It seems like the perfect way to celebrate Christmas.
Saturday, December 15, 2018
Oh my friends, what a week it's been. Little Mouse came down with what we thought was a stomach bug last Saturday night. Unfortunately it was a more serious virus than we knew, culminating in a long day at the emergency room on Thursday so that she could be treated for dehydration. I'm very grateful to say that she's on the mend, but we're still taking it a day at a time. She's in that delicate place right now where she's getting her strength back but still needs to stay quiet (no easy feat for this little bundle of energy), and it's a challenge to keep her calm so that she doesn't relapse. The hardest part of all is that our church is having it's Christmas children's program and festival tomorrow morning, which she'll have to miss. Breaking the news to her last night was painful, after her long week of hoping against hope that she'd get well in time. After she spent a while sobbing in my arms and then in her Daddy's, I told her that maybe we could sew something special this weekend together to make up for it, perhaps a quilt for her beloved stuffed dog Snuffy.
So while the rest of the family went to Saturday lunch at our favorite Mexcian restaurant, Mouse and I went upstairs to sew. Miniature doll quilts are such a wonderful project when you want to sew something with a child. You don't even really need a pattern. Just pick the fabrics, choose a shape or design, sew the top, and then cut a backing print to fit. I like to use a piece of muslin or cotton fabric instead of batting so that the quilt isn't too stiff. Instead of binding, I just sew the front and back together, leaving an opening for turning, and then once it's turned right side out, I tuck the raw edges inside and stitch 1/8" from the edge all around. So simple!
We made a little pillow to go along with the quilt, adding pom-pom trim at Mouse's request. She was absolutely delighted with the finish, and immediately wanted to tuck Snuffy in for a nap.
She's spent the rest of the day resting on the couch in the family room cuddling with her little pup and watching old episodes of the Beverly Hillbillies. I love to hear her giggling from the next room.
After a week like this one, it's the most beautiful music in the world.
Monday, December 10, 2018
Just over five years ago, I did a series of sewing posts for a blog called The Glamorous Housewife, which I recently found out has since gone defunct. Consequently, people have been clicking on the tutorial link for my Constance Organizer tutorial and sadly coming up empty. I've gotten quite a few emails about it in the last few weeks from people who want to make them as Christmas presents for friends and family (especially teachers!), so after spending a bit of time tracking down the text and photos from that original post, I'm reposting it all here for you below. It's a quick little tutorial and a truly useful gift. If you make one, please share a photo on Instagram with the hashtag #constanceorganizer and tag me @fabricmutt. Enjoy!
It took me years, but I finally learned the secret to getting (most of) what I need to do finished every day: lists. It's all about lists for me when it comes to organization. If it's not written down, forget it. Unfortunately, I usually end up with two or three running lists for different areas of my life, and then it comes down to trying to track down the lists themselves so I can figure out what I needed to remember in the first place. The solution? A handy little organizer for keeping everything straight.
|Joel McCrea & Jean Arthur in The More the Merrier|
This month's tutorial is inspired by The More the Merrier, a wonderful 1940's screwball comedy. Jean Arthur stars as Constance Milligan, a compulsively organized working girl who decides to sublet half of her apartment to help out with the housing shortage in wartime Washington, D.C. Life takes a crazy turn when retired millionaire Benjamin Dingle (played by Charles Coburn) moves in and then decides to do a little matchmaking by renting half of his half to a handsome soldier named Joe Carter (played by Joel McCrea). It's classic comedy at its best, and Jean Arthur's costumes are absolutely divine examples of 1940's fashion. If you'd like to see an updated version of the story, it was remade in 1966 as Walk Don't Run -- this time concerning close quarters during the 1964 Tokyo Olympics and featuring an utterly charming Cary Grant in his last film appearance.
By the way, there are always ways to tweak any of my tutorials to make them fit your own style. I made another one of these organizers for my mom using linen accents and a magnetic clasp. This version is a little more grown-up, and I love the vintage inspired prints it uses (scroll to the end of this post for a look inside this one). It never ceases to amaze me how a change in fabric can transform the whole feel of a project. Even though this is an item that's going to see a lot of everyday use, I think it's important to use fabrics that you love. Those lists are easier to face when they're framed by happy fabric.
But enough chit-chat . . . let's get sewing!
(2) 6.75 x 10.5" print for exterior
(1) 4 x 10.5" solid (linen or cotton) for exterior accent
(1) 10.5 x 16.5" batting for exterior
(2) 8.5 x 10.5" print for lining
(1) 10.5 x 16.5" interfacing for lining (I used Pellon 809 Decor Bond)
(1) 8.5 x 14" solid (linen or cotton) for pad pocket
(1) 7 x 8.5" interfacing for pad pocket
(1) 8.5 x 16" print for top interior pocket
(1) 8 x 8.5" interfacing for top interior pocket
(1) 8.5 x 13" for middle interior pocket
(1) 6.5 x 8.5" interfacing for middle interior pocket
(4) 4.75 x 8.5" prints for interior zipper pocket and lining (cut 2 each of 2 different prints)
(1) 3 x 3.5" solid (linen or cotton) for exterior flap
(1) 3 x 3.5" print for flap lining
(1) 3 x 3.5" batting for flap
(1) 3 x 3.5" interfacing for flap
(1) 9" or larger zipper for interior zipper pocket
(1) magnetic snap or (1) 2" piece of velcro
Adhesive basting spray or fabric glue
Chopstick for turning
Sewing clips or clothespins
Note: All seams will be 1/4" wide. Don't forget to press your work between steps to keep things neat and tidy. Half the work is cutting out all the pieces for this project. Once you have the prep work done, it goes together pretty quickly!
Step One: Make the basic interior pockets. Take the fabrics for the pad pocket and the top and middle interior pockets, fold them with wrong sides together (8.5" ends meeting), and press the folds well. Slip the matching piece of interfacing between those wrong sides and press again so it sticks in place. Top stitch 1/4" from the fold on each piece. Baste the pad pocket in place on the bottom of one of the 8.5 x 10.5" lining pieces. (That means setting your machine to its longest stitch length and sewing around the sides and bottom 1/8" from the edge. This will hold it in place when you're sewing everything together later.) If you're using linen, by the way, keep in mind that it can be a little finicky at times, so don't worry if it seems to stretch a tad while you sew. You can always trim the extra bits off later.
Step Two: Make the interior zipper pocket. Stack in this order along an 8.5" edge: lining piece (right side up), zipper (right side up), exterior piece (right side down). Sew down that edge, fold the fabrics back so that the wrong sides are together, and press. Top stitch 1/4" from the zipper and then repeat on the other side. Trim the zipper ends off on each side of the pocket, making sure that the zipper pull is in the middle first! Fold the sides of the pocket together so that you match up all four pieces of fabric and the lining pieces have their right sides together. Baste the sides of the zipper pocket together.
Step Three: Assemble all the interior pockets. Stack the three interior pockets in order from top to bottom: top interior, middle interior, and zipper pocket. Line them up along the bottom edge of the lining piece and baste along the sides and bottom.
Step Four: Finish the interior. Stack the two lining pieces right sides together and stitch along the 10.5" side, joining them together so that the pad pocket will be on the right when opened. Press the seam to one side and place the whole interior piece on top of the matching piece of interfacing, pressing it in place. Be careful with your ironing around that zipper! Once the interfacing is securely attached, flip the piece back over to the right side. Measure and mark a line 1.25" from the center seam. Stitch a line down the solid pocket to create a pen pocket in the center, making sure that you backstitch at the top so the pocket doesn't come loose with use.
Step Five: Make the cover. Sew the two exterior prints to either 10.5" side of the solid accent strip which should be in the center. Attach the batting to the back of the cover and then top stitch down both sides of each of the seams. Center and sew half of the 2" piece of velcro about 1" from the edge on the right side of the cover (scroll down to step six for a photo of this). I usually sew around a piece of velcro at least twice just to be sure that it's not going to budge anytime soon.
Step Six: Make the flap. Attach batting to the flap exterior with fabric glue or adhesive basting spray and iron the interfacing onto the flap lining piece. Stack the lining and exterior pieces with their right sides together and sew all around them, leaving a few inches open on the bottom for turning. Trim around the edges, clipping the corners, and turn right side out using the chopstick to poke out the corners. Tuck in the raw edges and and topstitch 1/8" from the edge all the way around the flap. Center the other half of the velcro on the right side on the flap lining about 1/4" from the edge and sew all the way around it twice.
Center the flap on the left side of the exterior, about 1" from the edge with the velcro pointing away from the cover. Sew a 1/4" wide rectangle on the flap to hold it in place on the cover.
Step Seven: Finish the organizer. Stack the lining and exterior with right sides together, tucking the flap inside out of the way. Clip them together and then sew all the way around the outside of the pieces, backstitching at both ends and leaving a gap for turning on what will be the upper side of the back of the organizer. Trim all the way around the stitching and then turn it (carefully!) right side out, using the chopstick to press out the corners. Tuck the raw edges inside the gap and press it well -- again being careful of that zipper! -- then topstich 1/8" all the way around the outside. Tuck in your office supplies, and you're in business!